Rocco und seine Brüder - Kreuzberg
Who owns a
city? I’m not talking about rich people who own the land (who may not even live
there) or the municipality that provides the services. What I’m aiming for is
to get to the bottom of deep philosophical issues. I can see you are frowning
at the screen and thinking of closing this window. Be my guest if you want to,
but this is serious stuff! I stumbled over this question yesterday after the 4th
G&T at a new, cooler-than-thou expat venue in Kreuzkölln. It was packed
with trendy people. Yet it was the first time I felt a pang of superiority
beside the usual feeling of pure, green envy.
I think the
superiority bit came after listening to a girl from North London with a
butterfly pinned on her beautifully coiffed head explaining why Berlin was HER
city after mere 1.5 months. And why she was here to stay. She was giving tips
and recommendations, talking about areas that are cool and others that are “so
passé”. There was a lot of sneering involved. And the only thing I could think
was: “Really? Your city?” So I just smiled back as if you’d smile to a slightly
retarded child who had just done something resembling a failed imitation of a snotty
Pug.
This girl
actually made me feel superior. Not because I’m any better. All I can say for
myself is that I’ve been here long enough to speak the language and get a
feeling for the culture. It’s merely about time. And yet. Her sheer chutzpah,
ignoring the time factor and the hard-earned lessons it brings, made me think:
what makes a person own a city? Is it enough to know your geography and know
the cool safe-havens in town? I believe it takes more than just that.
Because at
the end of the day, even though Berlin may seem so un-German to the
untrained eye, it is still in Germany (as the saying goes). And immersing
oneself into the folds of Teutonic culture requires a deeper understanding of
local codes, local aesthetics and local references. Unfortunately for the
newcomer, local references are not always pleasant or easy to learn. Being
exposed to deep-end Germany often requires developing a 6th
sense for repellent schlager singers (I still wouldn’t be able to distinguish
Roland Kaiser from Udo Jürgens even if my life depended on it), commenting the
latest Bauer-sucht-Frau developments, and moreover, recognising Inka Bause
(Bauer-sucht-Frau presenter) if you saw her walking down the street in
lederhosen. These are things locals know automatically. But for us expats,
learning all these references is a long, excruciating process.
The
ever-elusive game of German references was the defining experience of this
week’s dinner at Rocco und seine Brüder – a popular pizza restaurant behind the
church on Lausitzer Platz in Kreuzberg. A couple of VIVA presenters had taken
control of the next table and as the conversation drifted to commenting old
German TV-presenters, I found myself at a loss. To make things worse, Rocco und
seine Brüder is one of these themed restaurants, based on an Italian film from
the 1960’s that used to be extremely popular in Germany. Most Germans around me seemed to
have regarded the film as an integral part of West-German culture (even though
it was about the Mezzogiorno. Oh, the intricacies of European culture), which made
the photos on the walls and a few of the pizza-names accessibly witty for them.
I, however, could only nod and smile as my table companions commented different
aspects of the ambiance.
And yet,
the place is pleasingly alive and nicely unpretentious. The tables are crammed
on top of each other and the service is jovially accommodating. The menu is
fairly simple, with starters and pizzas making out the two only categories available.
We began with the anti-pasti platter (for two, 12.80 €), which I found to be
fairly disappointing. It contained all the right things: a bit of cheese, a bit
of sausage, a few oily vegetables and fresh ingredients. But the quality was
not quite there yet. The cheese was very simple (the taleggio was alright, the mozzarella
was the cheapest version available and the bland slices of the Gouda-looking
rubbery cheese were completely unnecessary). The meat was alright, but nothing
more. The other ingredients were not bad, but on the other hand, they were not
refined or pleasing enough to justify those 12.80 €.
Antipasti |
Mario Adorf |
And then
came the pizza. The menu contains two whole pages of different pizzas, for
prices starting at 7 € and ending with 11.90 €. We chose the more luxurious ones:
the Mario Adorf (mozzarella, taleggio, cèpes, 9.50 €) and the Tartufo (truffle,
rocket salad, 11.90 €). They were both quite good, but far from perfect. The
biggest problem was the dough: it was a bit too thick and dry in all cases. In
that same vein, slicing through the Tartufo was quite an ordeal. The toppings,
however, were fairly generous and pleasing. The Mario Adorf (a German speaking
actor from South-Tyrol in Italy) was more wholesome than the
Tartufo, which came hidden under a mountain of salad, which was as dry as it
was green. There would be other details which were not perfect, but at the end
of the day, the pizzas were quite enjoyable.
Rocco und
seine Brüder is a thoroughly enjoyable place. The food would not be the first
and foremost reason to go there – it’s not bad, but it’s not exciting either.
However, the ambiance makes it a perfect location for a friendly evening with a
few friends, a hearty pizza and a gargantuan carafe of wine. Before you go
there, be sure to google the Luchino Visconti’s film Rocco e i suoi fratelli
(Rocco und seine Brüder). This way, you’ll always have a knowledgeable remark available for any witty
exchange.
Overall Mark:
Rocco und seine Brüder
Lausitzer Platz 13, 10997 Berlin
Größere Kartenansicht